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Portrait of Père Tanguy
''Portrait of Père Tanguy'', painted by Vincent van Gogh in 1887, is one of his three paintings of Julien Tanguy. The three works demonstrate a progression in Van Gogh's artistic style after his arrival in Paris. The first is somber, and formed from a simple composition. The second introduces Van Gogh's Japanese prints. The last and most advanced in style, skill and color integrates Japanese, Impressionist, and other influences on the Parisian artist community. This painting conveys a sense of serenity that Van Gogh seeks for himself. This last painting of Tanguy is in the Musée Rodin, Paris.
==Van Gogh in Paris==
In 1886, Van Gogh left the Netherlands never to return. He moved to Paris to live with his brother Theo, a Parisian art dealer. Vincent entered Paris as a shy, somber man. While his personality would never change, he emerged artistically into what one critic described as a "singing bird".〔 Although Van Gogh had been influenced by great masters in the Netherlands, coming to Paris meant that he was exposed to Impressionists, Symbolists, Pointillists, and Japanese art (''see Japonism''). His circle of friends included Camille Pissarro, Henri Toulouse-Lautrec, Paul Gauguin, Émile Bernard, Paul Signac, and others. The works of the Japanese printmakers Hiroshige and Hokusai greatly influenced Van Gogh, both for the subject matter and the style of flat patterns of colors without shadow. In the two years from 1886 through 1888 he spent working in Paris, Van Gogh explored the various genres, creating his own unique style.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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